Delivering a note-for-note interpretation, vocalist Randy Jackson (lead singer of the rock band Zebra), shrieks brilliantly, acting as a window between the audience and reworked material. “The music itself is one thing, but Jackson more than captures the spirit of legendary Led Zeppelin singer Robert Plant,” says Havens.

Heightened by rock concert lighting, the symphonic rock hybrid has met with riotous approval at both ends of the hall, explains Havens; “When we first came on stage, the audience gave us polite, almost classical applause. Then we hit the first note and they realized it was a rock show.”

Classical musicians also enjoy the change of pace; “In one concert, during Stairway to Heaven, the entire string section pulled out Bic lighters!” laughs Havens.

With the support of show producer Rob Cross, Artistic Director of the Virginia Arts Festival, Havens first conceived the show for the Virginia Symphony (where Cross was orchestra manager at the time). Since then, they’ve taken the show on the road. The program has already played in Atlanta, Denver, Jacksonville, and Buffalo. Plays are planned this year in Wilkes-Barre, Albany, Akron, Long Island, NY and more.

The project’s appeal is in large part due to the music’s authenticity. When the music was first discussed in 1994 Havens understood that Led Zeppelin fans would want to hear the original, familiar elements of the music. He therefore followed exact line arrangements and used the orchestra only for enhancement.

With a 50-piece orchestra hanging on his every cue, Havens had a large landscape to work with. Just among the double-reed instruments—the oboe, English Horn, bassoon—there are so many colors. Add in the violins, violas, cellos, basses, and woodwinds or more pure sounds from instruments like a flute or a clarinet and the selection grows. Then consider the entire brass section, like the trumpet, trombones, French horns, and the lower brass like the bass trombone and tuba and you realize the variety of choices available to accompany a distorted electric guitar, bass and drums. Bridge that with the addition of the electric violin as yet one more color and the palette becomes even larger.

Led Zeppelin’s intricate rhythm patterns and unusual progressions contained within straight-forward rock n’ roll made the music an ideal choice for scoring.

“I was quite impressed with the complexity of the rhythms,” says Havens. “I’ve asked myself if they actually sat down and said, ‘alright we need a three-eight bar here, or we need to go from four-four to seven-eight and back…’ I don’t think so. I think they just banged it out and it worked and it felt good.”

The 2-plus hour concert features 18 Zeppelin tunes, including Stairway to Heaven, Heartbreaker, Black Dog and Immigrant Song.

“On Immigrant Song I have the violins matching the vocal line up an octave from Jackson, and the French Horns are doing it with him in the same register,” says Havens.  “Then we have the brass kickin’ in the back, doing the accents.  It rips.”

The show has proven a great way to introduce rock fans to the symphony experience. “I’m sure there are people who come to these shows who have never seen their city’s symphony orchestra and this allows them to experience something new along with the music that they already love,” says Havens.

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